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In ancient China, auspicious ornaments were often either embroidered or woven into textile and clothing. [1] They are also used on religious and ritual clothing (e.g. Daojiao fushi which is Taoist clothing [3] : 101 and Chinese Buddhist clothing) and in Xifu, Chinese opera costumes. [4] Auspicious symbols and motifs continue to be used in ...
A list of Chinese symbols, designs, and art motifs, including decorative ornaments, patterns, auspicious symbols, and iconography elements, used in Chinese visual arts, sorted in different theme categories. Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and ...
Buyao (simplified Chinese: 步摇; traditional Chinese: 步搖; pinyin: Bùyáo; lit. 'step-shake') is a type of Chinese women's hair ornament. It is a type of Chinese hairpin which was often times decorated with carved designs and jewelries that dangles when the wearer walks, hence the name, which literally means "shake as you go".
The Twelve Ornaments ( Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state. [1]
In Qing, the yunjian became an indispensable item for women's wedding clothing, and by the 19th century, it was an important central element to the Han Chinese women's celebratory clothing. The yunjian worn by the Han Chinese as ceremonial clothing and for wedding was a detachable collar which was worn on top of the mang ao (i.e. the dragon ...
Chinese character Qi (气), Spring and Autumn period The clouds physical characteristics (being wispy and vaporous in nature) were associated with the Taoist concept of qi (气; 氣), especially yuanqi,: 133 and the cosmological forces at work; i.e. the yuanqi was the origins of the Heavens and Earth, and all things were created from the interaction between the yin and yang.
Chinese brides also used a type of moon-shaped tuanshan in traditional Chinese wedding called queshan. The ceremonial rite of queshan was an important ceremony in Chinese wedding: the bride would hold it in front of her face to hide her shyness, to remain mysterious, and as a way to exorcise evil spirits. [6]
Huishan clay figurine ( Chinese: 惠山泥人; pinyin: Huìshān ní rén) is a traditional Chinese folk art in Wuxi, Jiangsu Province, China, with a history of more than 400 years. [1] [2] The production of Wuxi Huishan clay figurines began at the end of the Ming dynasty and developed in the Qing dynasty with specialized Huishan clay ...
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