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Music video. "Gento"on YouTube. "Gento" (stylized in all uppercase) is a song recorded by the Filipinoboy band SB19for their second extended play(EP), Pagtatag! (2023). The band's leader, Pablo, wrote the song alone and co-produced it with Joshua Daniel Nase and Simon Servida. A popand hip hoptrack, it is about empowermentand uses gold miningas ...
"Mapa" [a] is a song recorded by Filipino boy band SB19, released on May 16, 2021, [1] by Sony Music, as the second pre-release digital single off their extended play Pagsibol. [2] The song was written by the band's leader Pablo , who also co-produced the song, together with Jay Durias of South Border and by Simon Servida, who also serves as ...
Harmony. Barbershop quartets, such as this US Navy group, sing 4-part pieces, made up of a melody line (normally the lead) and 3 harmony parts. In music, harmony is the concept of combining different sounds together in order to create new, distinct musical ideas. [1] Theories of harmony seek to describe or explain the effects created by ...
The song is described as a bittersweet "mini-epic" inspired by the Beatles, referencing the actress Paraluman and the tango standard "El Bimbo". [1] [2] "I had a huge crush on this girl who was older; she was the one who taught me the dance, and I think that was the first time I was really in love with a girl.
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the ...
Boyfriends is a musical group from the Philippines. Their heyday was in the 1970s as one of the most prominent bands of the Manila sound, [1] [2] with pop and disco harmonies reminiscent of the Bee Gees. [3] Several of their recordings are among the most popular Tagalog and English songs of the Philippines from the late 1970s and early 1980s ...
Broadly speaking, due to the development of harmony, from the Baroque period on, most contrapuntal compositions were written in the style of free counterpoint. This means that the general focus of the composer had shifted away from how the intervals of added melodies related to a cantus firmus, and more toward how they related to each other.
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.