Search results
Results from the WOW.Com Content Network
1896. Relinquished. 1897. The Marangál na Dalit ng̃ Katagalugan ( English title: Honorable Hymn of the Tagalog Nation/People) is a song of the Philippine Revolution composed in November 1896 by Julio Nakpil at the request of Andres Bonifacio as the anthem of the revolutionary Tagalog Republic. However, this nascent revolutionary government ...
In music, texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically ...
Harmony. Barbershop quartets, such as this US Navy group, sing 4-part pieces, made up of a melody line (normally the lead) and 3 harmony parts. In music, harmony is the concept of combining different sounds together in order to create new, distinct musical ideas. [1] Theories of harmony seek to describe or explain the effects created by ...
Musical composition can refer to an original piece or work of music, [ 1] either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who ...
Dominador Santiago and Mike Velarde, Jr. " Dahil Sa Iyo " is a song by Mike Velarde, Jr., [1] written in 1938 for the movie, Bituing Marikit [2] and sung by Rogelio de la Rosa. [1] A version with English-Tagalog lyrics, recorded in 1964, was a hit in the United States and continues to be popular in Filipino communities on American soil.
Counterpoint focuses on melodic interaction—only secondarily on the harmonies produced by that interaction. In the words of John Rahn: It is hard to write a beautiful song. It is harder to write several individually beautiful songs that, when sung simultaneously, sound as a more beautiful polyphonic whole.
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.
The song is described as a bittersweet "mini-epic" inspired by the Beatles, referencing the actress Paraluman and the tango standard "El Bimbo". [1] [2] "I had a huge crush on this girl who was older; she was the one who taught me the dance, and I think that was the first time I was really in love with a girl.