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Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado.It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano (also known as montunos).
Mambo dancers at the ITESM Campus Ciudad de Mexico. Mambo is a Latin dance of Cuba which was developed in the 1940s when the music genre of the same name became popular throughout Latin America. The original ballroom dance which emerged in Cuba and Mexico was related to the danzón, albeit faster and less rigid.
Mambo (Vodou), a Haitian Vodou priestess; Mambo (software), an open source content management system; MAMbo, the Bologna Museum of Modern Art in Bologna, Italy; MAMBO, the Bogotá Museum of Modern Art in Bogotá, Colombia; Mambo Graphics, the company behind the Australian surf clothing brand Mambo; Tecma Mambo, a French hang glider design
The danzón-mambo (also known as danzón de nuevo ritmo) is a subgenre of Cuban dance music that marked the transition from the classical danzόn to the mambo and the cha-cha-chá. It was also in the context of the danzón-mambo that the Cuban dance band format called charanga reached its present form.
The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, mambo (music), salsa, Latin jazz, songo and timba. The five-stroke clave pattern (distributed in groups of 3 + 2 or 2 + 3 beats) represents the structural core of many Afro-Cuban rhythms. [ 99 ]
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Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). [2] Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival ...
"Papa Loves Mambo" is a popular song written by Al Hoffman, Dick Manning, and Bix Reichner and released in 1954. [1] The best-known version was recorded by Perry Como with Mitchell Ayres's orchestra in New York City on August 31, 1954. The U.S. release peaked at No. 4 on the Billboard chart in January 1955. [2]