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Student rush tickets are also available at the box office for $25 on the day of the performance with a valid student ID. Additionally, digital rush tickets are available on the mobile app TodayTix ...
Ticket counters of the New York City booth as seen from 47th Street. The TKTS ticket booths in New York City and London sell Broadway and Off-Broadway shows and dance events and West End theatre tickets, respectively, at discounts of 20–50% off the face value. [1] It is owned by the Theatre Development Fund, a non-profit.
Broadway Licensing Global [1] is a theatrical licensing agency and publisher based in New York City, founded in 2017. [2] The company acquired Playscripts in 2019, [3] and Dramatists Play Service in 2021. [4] In 2023 the company rebranded from Broadway Licensing Group to Broadway Licensing Global to reflect its international growth. [5]
CityPASS is a privately held company that produces and sells discounted ticket packages (discounted from the regular admission prices) to groups of attractions in various metropolitan areas including Atlanta, Boston, Chicago, Dallas, Denver, Houston, New York City, Orlando, Philadelphia, San Antonio, San Diego, San Francisco, Seattle, Southern California, Tampa Bay, and Toronto.
Broadway theatre, [nb 1] or Broadway, is a theater genre that consists of the theatrical performances presented in 41 professional theaters, each with 500 or more seats, in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. [1] [2] Broadway and London's West End together represent the highest commercial ...
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Through its network of presenting partners, BAA presents touring Broadway shows, family productions, and other live shows in over 40 North American venues. In 2008, Broadway Across America and its subsidiary Broadway Across Canada sold over 6.4 million tickets throughout its 40 theatres in the United States and Canada. [3]
For example, The New York Times reported that "tourists accounted for nearly two-thirds of the tickets sold for Broadway shows" and "those who saw 15 shows or more made up only 5 percent of the overall audience, but accounted for 29 percent of admissions" in 2010–11 season based on the studies published by the League. [43]