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German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Black and White (Kylie and Garibay song) Black Balloon (Goo Goo Dolls song) Black Skinhead; Black Sunshine; Black Sweat; Black Velvet (song) Blended Family (What You Do for Love) Blessings (Big Sean song) Blood for Poppies; Blow Me (One Last Kiss) Blow Your Mind (Jamiroquai song) Blue Jeans (Lana Del Rey song) Bones (Ginny Blackmore song) Born ...
The Golem is in the public domain [11] and over the years has been released many times in poor quality, unrestored black and white versions. It is the only movie in the Golem trilogy that survived World War II. [6] [12] The film was first restored in 1977 in Germany and scored by Karl-Ernst Sasse. This version is not readily available on home ...
This is a list of the most notable films produced in Germany of the Weimar Republic era from 1919 until 1932, in year order. This period, between the end of World War I and the advent of the Nazi regime, is considered an early renaissance in world cinema, with many influential and important films being made.
Arnold Schoenberg, the key figure in the Expressionist movement. The term expressionism "was probably first applied to music in 1918, especially to Schoenberg", because like the painter Wassily Kandinsky (1866–1944) he avoided "traditional forms of beauty" to convey powerful feelings in his music. [1]
Gabriele Münter (19 February 1877 – 19 May 1962) was a German expressionist painter who was at the forefront of the Munich avant-garde in the early 20th century. [1] She studied and lived with the painter Wassily Kandinsky and was a founding member of the expressionist group Der Blaue Reiter.
Kammerspielfilme (the plural form) formed a German film movement of the 1920s silent film period that was developed around the same time as the more commonly known Expressionist movement in cinema. The Kammerspielfilm was known as the "chamber drama" as a result of the influence from the theatrical form of the chamber play . [ 4 ]
At the end of the war he became a member of the Arbeitsrat für Kunst in Berlin, which was an anti-academic, socialist movement of German artists during the German Revolution of 1918–19. Schmidt-Rottluff’s angular, contrasting style became more colorful and looser in the early 1920s, and by the mid-1920s he began to evolve into flat shapes ...