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Detail wall painting, Ladakh Detail of a wall painting in a Buddhist temple in Ladakh/India. The support for wall paintings is made of earthen plaster, usually consisting of more than one layer of earthen plaster, in which the last layer is rendered as smoothly as possible. The support was covered by a smoothened ground, generally in white.
The Cathedral (Art Museum Building; Thai: มหาวิหาร), was designed by Thawan Duchanee and built by Baan Dam's engineers in 1999 - 2009. It took 7 years to build. The inspiration of the cathedral is the combination of wood cultures such as form, shape, philosophy etc. with contemporary creativity, Buddhist art and modern architecture.
Entering the temple, the main Buddha hall—where ceremonies are held—presents itself immediately. In front of the main hall, there are one or two pagodas and stone lamps. The pagoda represents the Buddha and the teaching, and houses some important symbols—a relic of the Buddha, an important sutra, or other religious artifacts.
Large shrine statue of Maitreya, Thiksey Monastery, Ladakh, 1970. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [1] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
Buddha in his period of austerities, Vietnam, 1794, lacquered wood. Narrative images of episodes from the life of Gautama Buddha in art have been intermittently an important part of Buddhist art, often grouped into cycles, sometimes rather large ones.
A Buddha image in Thailand typically refers to three-dimensional stone, wood, clay, or metal cast images of the Buddha. While there are such figures in all regions where Buddhism is commonly practiced, the appearance, composition and position of the images vary greatly from country to country in Buddhist art .
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