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Theocritus (/ θ iː ˈ ɒ k r ɪ t ə s /; Ancient Greek: Θεόκριτος, Theokritos; born c. 300 BC, died after 260 BC) was a Greek poet from Sicily, Magna Graecia, and the creator of Ancient Greek pastoral poetry.
The scene is among the high mountain pastures of Sicily: On the sward, at the cliff top Lie strewn the white flocks; and far below lies the Sicilian sea. [2] Here Daphnis and Menalcas, two herdsmen of the golden age, meet, while still in their earliest youth, and contend for the prize of pastoral. [2]
Idyll VII, also called θαλύσια ('Harvest Home'), is a bucolic poem by the 3rd-century BC Greek poet Theocritus. [1] [2] The dramatic persona, a poet, making his way through the noonday heat, with two friends, to a harvest feast, meets the goatherd, Lycidas. [3]
Idyll XVIII, also titled Ἑλένης Ἐπιθάλαμιος ('The Epithalamy of Helen'), is a poem by the 3rd-century BC Greek poet Theocritus. [1] The poem includes a re-creation of the epithalamium sung by a choir of maidens at the marriage of Helen and Menelaus of Sparta. [2] The idea is said to have been borrowed from an old poem by ...
Idyll XXVI, also titled Λῆναι ('The Bacchanals') or Βάκχαι ('The Bacchantes'), is a bucolic poem doubtfully attributed to the 3rd-century BC Greek poet Theocritus. [1] This Idyll narrates the murder of Pentheus , who was torn to pieces (after the Dionysiac Ritual ) by his mother, Agave , and other Theban women, for having watched ...
The poem is a panegyric or encomium of Ptolemy II Philadelphus, who reigned from 285 to 247 BC. [1] Hauler, in his Life of Theocritus, dates the poem about 259 BC, but it may have been many years earlier. [2] The references to historical personages and events, coupled with a comparison with Idyll XVI, point to 273 as the date of the poem. [1]
Idyll XXI, also called Ἁλιεῖς ('The Fisherman'), is a poem traditionally attributed to the 3rd century BC Greek poet Theocritus. [1] After some verses addressed to Diophantus, a friend about whom nothing is known, the poet describes the toilsome life of two old fishermen. [2]
Theocritus acknowledges his indebtedness to the Ionian lyrists and elegists by using their dialect. [1] According to J. M. Edmonds , the passage rendered here in verse contains what at first sight looks like a mere display of learning, but has simply this intention: 'Our love will be famous among so remote a posterity that the very words for it ...