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Several tracks (notably the opening song "Tidal Wave") have as many as ten guitars playing at any one time (usually eight rhythm guitars and two guitars used for solos). The Japanese version of Fun Trick Noisemaker contains the extra tracks "Shine (In Your Mind)" and "Thank You Very Much". These tracks can be found in mp3 format on the Elephant ...
[footnotes 1] Most of the double-tracked vocals heard on the rest of the album were created using ADT, while the group also used the technique on a number of the instrumental parts to colour the sounds – there is factually more use of ADT on the mono version of the album than on the more widely known stereo version, with the lead guitar on ...
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A stereo effect is achieved through differences in sound pressure level between two microphones. Due to the lack of differences in time-of-arrival and phase ambiguities, the sonic characteristic of X-Y recordings is generally less spacey and has less depth compared to recordings employing an AB setup. Blumlein pair stereo
Chorus (or chorusing, choruser or chorused effect) is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra , it can also be simulated using an electronic effects ...
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience.
The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.
Reverse echo and reverse reverb are sound effects created as the result of recording an echo or reverb effect of an audio recording played backwards. The original recording is then played forwards accompanied by the recording of the echoed or reverberated signal which now precedes the original signal.
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