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"Let's Stick Together" is a mid-tempo twelve-bar blues-style R&B song. [2] According to music writer Richard Clayton, "Harrison probably intended 'Let’s Stick Together' as his follow-up single [to 'Kansas City'], but a contract dispute prevented him from releasing it while his star was in the ascendant". [ 3 ]
The song also was released in a 5 minute 19 second version on the Sue Records album SSLP-8801 Let's Work Together. The song was originally released by Harrison in 1962 with different lyrics as " Let's Stick Together " on Fury 1059 and Fury 1063.
Let's Stick Together is a 1976 album by Bryan Ferry. His third solo release, it was his first following the disbanding of Roxy Music earlier in the year. Unlike Ferry's two previous solo releases, Let’s Stick Together was not a dedicated album project, instead predominately made up of singles, B-sides, and an EP .
"2HB" is a song written by Bryan Ferry and first recorded by Roxy Music for their 1972 debut album, Roxy Music. Ferry also recorded a version for his 1976 solo album, Let's Stick Together.
Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
John Kenneth Wetton (12 June 1949 – 31 January 2017) was an English musician, singer, and songwriter. [1] Although he was left-handed, he was known as a skilled right-handed bass player and had a booming baritone voice. [2]
At the time of their formation, Shonen Knife was a relative anomaly because all-female rock bands were rare in Japan at the time. While cultivating a punk rock sound, the band emphasized positivity using catchy, upbeat melodies and simple, carefree lyrics that often dealt with sweets, animals, and consumer culture.
J-Rock, or Japanese Rock music, gives a new meaning to modern Japanese music. J-Rock mixes heavy guitar playing and fast-paced drumming along with many English words and phrases thrown around to create a unique new sound. It takes the "western idea of rock" and uses the adrenaline of the Japanese to create this new age of Japanese music.