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William Paul Gottlieb (January 28, 1917 – April 23, 2006) was an American photographer and newspaper columnist who is best known for his classic photographs of the leading performers of the Golden Age of American jazz in the 1930s and 1940s. Gottlieb's photographs are among the best known and widely reproduced images of this jazz era. [1]
Jack Cole (born John Ewing Richter; April 27, 1911 – February 17, 1974) was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance" [1] for his role in codifying African-American jazz dance styles, as influenced by the dance traditions of other cultures, for Broadway and Hollywood.
Katherine Dunham was an anthropologist, choreographer, and pioneer in black theatrical dance who introduced isolations Jazz Dance. She created the Dunham technique, characterized by simple lines, torsos that move in different ways, and a greater variety of tempos and rhythms than most other Western dance styles of that time.
This is one of the largest collections of public domain images online (clip art and photos), and the fastest-loading. Maintainer vets all images and promptly answers email inquiries. Open Clip Art – This project is an archive of public domain clip art. The clip art is stored in the W3C scalable vector graphics (SVG) format.
Local jazz singer Jane Harvey Brown leads the way as grand marshal for a brass band at a second line in the French Quarter in New Orleans. "Sons of Hope and the Annual Parade of the Young Veterans", New Orleans c. 1902 Exuberant dancing in the streets and sidewalks is part of the second line experience.
Al Minns, Leon James, Frankie Manning, and Norma Miller are the most notable members of the group - Minns and James in part for their role in the research of Jean and Marshall Stearns's influential book Jazz Dance, Minns for his work with the Hot Shots during the swing revival in the 1980s, Manning for his role in contributing to the swing revival after Minns died in 1985, and Miller for her ...
In doing so, Ford rewrote the cultural history of the dance form and set the stage for a pantheon of racist ideas that still animate modern white supremacist movements. Most Americans rightly ...
A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire ' s art director, Robert Benton , rather than Kane. [ 2 ]
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