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"Mourning" is a song written and recorded by the American rock band Tantric. It was released as the third single from the band's platinum selling first album titled Tantric in 2001. It is the band's second highest-charting single to date [ when? ] behind " Breakdown ".
Therefore, by extension, it can also mean "system", "doctrine", or "work". [16] The connotation of the word tantra to mean an esoteric practice or religious ritualism is a colonial era European invention. [17] [18] [19] This term is based on the metaphor of weaving, states Ron Barrett, where the Sanskrit root tan means the warping of threads on ...
Although many of the songs of realization date from the mahasiddha of India, the tradition of composing mystical songs continued to be practiced by tantric adepts in later times and examples of spontaneously composed verses by Tibetan lamas exist up to the present day, an example being Khenpo Tsultrim Gyamtso Rinpoche. [3]
Tantric is the debut album of American rock band of the same name. It was released February 13, 2001, and debuted at No. 193 on the Billboard 200. The album would eventually peak at No. 71 and was certified gold by the RIAA on November 30, 2001. [2] The album released "Breakdown" as the lead single, and the follow-up singles "Astounded" and ...
A goat being slaughtered at Kali Puja.Painting by an Indian artist dated between 1800 and 1899. Inscription on verso: "A Hindoo sacrifice" Vāmācāra (Sanskrit: वामाचार, Sanskrit pronunciation: [ʋaːmaːtɕaːɽɐ]) is a tantric term meaning "left-hand path" and is synonymous with the Sanskrit term vāmamārga.
Kaula, also known as Kula, Kulamārga ("the Kula path") and Kaulācāra ("the Kaula tradition"), is a Tantric tradition which is characterised by distinctive rituals and symbolism connected with the worship of Shakti and Shiva [1] that is associated with cremation-ground or charnel ground sceticism, found in Shaktism and Shaivism.
Pages from the Charyapada. The original palm-leaf manuscript of the Charyapada, or Caryācaryāviniścaya, spanning 47 padas (verses) along with a Sanskrit commentary, was edited by Shastri and published from Bangiya Sahitya Parishad as a part of his Hajar Bacharer Purano Bangala Bhasay Bauddhagan O Doha (Buddhist Songs and Couplets) in 1916 under the name of Charyacharyavinishchayah.
The Sarma, "New Translation" schools of Tibetan Buddhism (Gelug, Sakya, Kagyu, Jonang) classify tantric practices and texts into four categories or "doors" of entry. They are classified according to the capacity of persons who they were taught for, as well as according to the strength of how they use desire and the specific types of methods ...