Search results
Results from the WOW.Com Content Network
[62] [63] Greek visual art usually showed women as white, much lighter than the typical male. [67] As a goddess of beauty, Aphrodite was usually given very white skin in both graphic and textual art. [37] Whiteness was generally seen as a desirable part of femininity in Ancient Greek culture.
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.
The Venus Callipyge, also known as the Aphrodite Kallipygos (Greek: Ἀφροδίτη Καλλίπυγος) or the Callipygian Venus, all literally meaning "Venus (or Aphrodite) of the beautiful buttocks", [a] is an Ancient Roman marble statue, thought to be a copy of an older Greek original.
Women are frequently depicted as "sexual objects" in ancient Greek pottery, thus providing context for the sexual culture of Ancient Greece. [70] A majority of vase scenes portray women inside their houses. A common presence of columns suggests that women spent much of their time in the courtyard of the house. The courtyard was the one place ...
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Leukothea, Goddess of Sailors. In Greek mythology, Leucothea (/ lj uː ˈ k oʊ θ i ə /; Ancient Greek: Λευκοθέα, romanized: Leukothéa, lit. 'white goddess'), sometimes also called Leucothoe (Ancient Greek: Λευκοθόη, romanized: Leukothóē), was one of the aspects under which an ancient sea goddess was recognized, in this case as a transformed nymph.
Yes! You can take your email on the go with an iOS & Android app.
The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by the English writer Robert Graves. First published in 1948, it is based on earlier articles published in Wales magazine; corrected, revised and enlarged editions appeared in 1948, 1952 and 1961.