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An example of "scientific reason lit up by mysticism in the Church of England" [175] is seen in the work of Sir Thomas Browne, a Norwich physician and scientist whose thought often meanders into mystical realms, as in his self-portrait, Religio Medici, and in the "mystical mathematics" of The Garden of Cyrus, whose full running title reads, Or ...
Christian mysticism refers to the development of mystical practices and theory within Christianity.It has often been connected to mystical theology, especially in the Roman Catholic and Orthodox Christianity (both the Eastern Orthodox and Oriental Orthodox traditions).
This kind of mysticism was a general category that included the positive knowledge of God obtained, for example, through practical "repentant activity" (e.g., as part of sacramental participation), rather being about passive esoteric/transcendent religious ecstasy: it was an antidote the "self-aggrandizing hyper-inquisitiveness" of ...
The longer quotation from the Secret Gospel of Mark begins on the fourth row from the bottom with καὶ ἔρχονται εἰς βηθανίαν (and they come into Bethany). The actual size of the page is 198 x 148 mm, [ 95 ] 7.8 x 5.8 in.
Lafcadio Hearn refers to them as the three mystic apes. [ 3 ] There are at least two divergent interpretations of the maxim: in Buddhist tradition, it is about avoiding evil thoughts and deeds.
Lycurgus Consulting the Pythia (1835/1845), as imagined by Eugène Delacroix.. Pythia was the priestess presiding over the Oracle of Apollo at Delphi.There are more than 500 supposed oracular statements which have survived from various sources referring to the oracle at Delphi.
Mechthild (or Mechtild, Matilda, [1] Matelda [2]) of Magdeburg (c. 1207 – c. 1282/1294), a Beguine, was a Christian medieval mystic, whose book Das fließende Licht der Gottheit (The Flowing Light of Divinity) is a compendium of visions, prayers, dialogues and mystical accounts. [3] She was the first mystic to write in Low German.
In composing poems of mystic content, they imbued every word and image with mystical undertones, causing mysticism and lyricism to converge into a single tradition. As a result, no fourteenth-century Persian poet could write a lyrical poem without having a flavor of mysticism forced on it by the poetic vocabulary itself.