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Seventeenth-century engraving depicting a view of the city of Gaeta; the lighthouse ("Lanterna") of St. Catherine is shown on the upper left side.The earliest established record concerning a women's monastery dedicated to St. Catherine of Alexandria dates back to 1384; [3] according to the "Platea del Venerabile Monastero S. Caterina della Città di Gaeta" of c. 1748, however, it would have ...
Johanna Householder and Tanya Mars (eds) Caught in the Act: an Anthology of Performance Art by Canadian Women Toronto:YYZ Books, 2003. Lucy Lippard From the Center:Feminist Essays on Women's Art New York. Dutton, 1976. Rozsika Parker and Griselda Pollock Framing Feminism: Art and the Women's Movement, 1970–1985 London. Pandora/RKP, 1987.
The list includes artists who have played a role in the feminist art movement which largely stemmed from second-wave feminism. [1 A. Pacita Abad (1946–2004) Lida ...
In the countryside, Crescentii castles concentrated a cluster of population that depended on them for their defense and were dependable armed members of the Crescentii clientage. After Sergius IV's death (1012), the Crescentii simply installed their candidate, Gregory, in the Lateran, without the assent of the cardinals. A struggle flared ...
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
Lucy R. Lippard stated in 1980 that feminist art was, "neither a style nor a movement but instead a value system, a revolutionary strategy, a way of life." [7] Emerging at the end of the 1960s, the feminist art movement was inspired by student activism, the civil rights movement, and Second-wave feminism.
The Duchy of Gaeta (Latin: Ducatus Caietae) was an early medieval state centered on the coastal South Italian city of Gaeta. It began in the early ninth century as the local community began to grow autonomous as Byzantine power lagged in the Mediterranean and the peninsula due to Lombard and Saracen incursions.
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...