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The central visual element, known as element of design, formal element, or element of art, constitute the vocabulary with which the visual artist compose. These elements in the overall design usually relate to each other and to the whole art work. The elements of design are: Line — the visual path that enables the eye to move within the piece
In the visual arts, shape is a flat, enclosed area of an artwork created through lines, textures, or colours, or an area enclosed by other shapes, such as triangles, circles, and squares. [1] Likewise, a form can refer to a three-dimensional composition or object within a three-dimensional composition. [2]
Found object – Non-standard material used in work of art; Found object (music) – Classification of musical instruments; L'art pour l'art – Slogan for art without any didactic, moral or utilitarian function; Sense and reference – Distinction in the philosophy of language; The medium is the message – Communication theory phrase
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts , conceptual art , and textile arts , also involve aspects of the visual arts, as well as arts of other types.
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Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as ...
Visual Representation of the Concentric Zone Model as Proposed by Bugress (1925). Visual representation of Ullman and Harris' 1945 Multiple Nuclei Model. Morphology in architecture is the study of the evolution of form within the built environment. Often used in reference to a particular vernacular language of building, this concept describes ...
Primarily through the depiction of architecture, Renaissance artists were able to practice the art of three-dimensional illusion using linear perspective, which gave their works a greater sense of depth. [3] The pictures in the gallery below show the development of linear perspective in buildings and cityscapes.
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