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A time slip is a plot device in fantasy and science fiction in which a person, or group of people, seem to travel through time by unknown means. [12] [13] The idea of a time slip has been used in 19th century fantasy, an early example being Washington Irving's 1819 Rip Van Winkle, where the mechanism of time travel is an extraordinarily long sleep. [14]
Time slip, plot device used in fiction in which a person can travel in time; Time slip recording, a feature of some digital video recorders allowing earlier parts of a program to be viewed while later parts are being recorded; Timeslip, in drag racing, a record of the vehicle's elapsed time, top speed, and the driver's reaction time; Time slip ...
A scientist millions of years in the future, in two experiments with time machines, uses boxes of educational toys as test objects. One lands in the 19th century and influences Lewis Carroll's writing of the poem "Jabberwocky". The other arrives in 1942 and causes two children to develop parahuman abilities incomprehensible to their parents.
Read a preview of the Seven Year Slip with Ashley Poston and an interview with the author.
An accidental time travel classic. Accidental travel is a speculative fiction plot device in which ordinary people accidentally find themselves outside of their normal place or time, often for no apparent reason, a particular type of the “fish-out-of-water” plot.
Research has long been a backbone of the genre. But beyond the textbooks, there's a whole world of family stories that have not yet become history. They deserve their place in fiction, too.
Rick Sutcliffe provides a definition in a brief essay on his own fiction: "The timestream is an alternate history device used in Rick Sutcliffe's fiction. It is the medium in which the various alternate earths exist, or, if one prefers, it provides the connections among them, in the manner of C. S. Lewis' wood between the worlds-- a place between."
Slipstream fiction has been described as "the fiction of strangeness", [6] or a form of writing that makes "the familiar strange or the strange familiar" through skepticism about elements of reality. [7] Illustrating this, prototypes of the style of slipstream are considered to exist in the stories of Franz Kafka and Jorge Luis Borges. [8]
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