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Light painting inside an abandoned limestone quarry in France. Light painting, painting with light, light drawing, light art performance photography, or sometimes also freezelight are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the ...
He is one of the precursors [1] of the Light Painting technique, which consists in capturing luminous traces during the photographic process, either via direct exposure of the sensor to the light source, or else to a lit subject. Jacques constructs his images by intervening either in the actual capturing process (incamera) or in post-production ...
Sean Scully RA (born 30 June 1945) is an Irish-born American-based artist working as a painter, printmaker, sculptor and photographer.His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee.
Large oil-on-canvas pieces, these show latticed rows of light- and dark-grey blobs whose shapes quasi-repeat as they race across the frame, their angle modulating from painting to painting. They depict a photo, published in the Frankfurter Allgemeine Zeitung , of a computer-generated simulacrum of reflections from the silicon dioxide found in ...
Abstract photography, sometimes called non-objective, experimental or conceptual photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials.
In 2013 JanLeonardo initiated the International Light Painting Award to internationally promote light art performance photography and light painting. The recipients are chosen bi-annually by an international jury consisting of representatives from industry and the arts. In 2013 the award was endowed with non-cash prizes worth of €9,800. [2] [3]
Before its use in photography, contre-jour was used in painting, where the shadows would fall to the left on the left, to the right on the right and forward in the lower centre. The edges of the subject would show surprising colour effects.
"Braiding the art of photography with the art of drawing, the artist caressed his models with light, sketching their faces, limbs, and genitals, and at times adding small fictional details such as luminous arcs touching the model’s bodies," wrote Lev Feigin in Hyperallergic. "Demarcating the boundaries of desire, light preserves the men’s ...