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Layered hair: A women's hairstyle where different sections of the hair are cut at different lengths to give the impression of layers. Liberty spikes: Hair that is grown out long and spiked up usually with a gel Lob: A shoulder-length hairstyle for women, much like a long bob, hence the name. Mullet: Hair that is short in front and long in the back.
Generally, the East Asian, Central Asian and Native American population has straight hair with a very thick cuticle layer [5] and South Asians have thick, wavy or curly hair, [6] while the general hair type seen in black African hair is thick, curly and dense with more hair growing from the head. The curly quality comes from the shape of the ...
Throughout much of the decade, women and teenage girls wore their hair long, with a centre or side parting. Harper's Bazaar ' s Lindy Segal attributed the popularity of long, straight hairstyles in the 1970s to Cher , whose distinctive look became associated with what is now sometimes referred to as "Cher hair". [ 416 ]
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Teenage girls may wear half-sarees, a three-piece set consisting of a langa, a choli and a stole wrapped over it like a saree. Women usually wear full sarees. Indian wedding saris are typically red or pink, a tradition that goes back to India's pre-modern history. [30] Saris are usually known by different names in different places.
Her major break was with Jeans lending her voice to Aishwarya Rai's character. [ 1 ] [ 2 ] An M.B.A. graduate who majored in advertising from Annamalai University , she first received attention when the Indian cinema director Shankar selected her to lend her voice for the then Miss World Aishwarya Rai in Jeans . [ 3 ]
During the 1920s and 1930s, Japanese women began wearing their hair in a style called mimi-kakushi (literally, "ear hiding"), in which hair was pulled back to cover the ears and tied into a bun at the nape of the neck. Waved or curled hair became increasingly popular for Japanese women throughout this period, and permanent waves, though ...
In Some Like It Hot (1959), two struggling musicians have to dress as women to escape the ire of gangsters. The film is a remake of a 1935 French movie, Fanfare of Love, from the story by Robert Thoeren and Michael Logan, which was remade in 1951 by German director Kurt Hoffmann as Fanfares of Love.