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Deborah Roberts (born 1962) is an American contemporary artist.Roberts is a mixed media collage artist whose figurative works depict the complexity of Black subjecthood and explores themes of race, identity, and gender politics taking on the subject of otherness as understood against the backdrop of existing societal norms of race and beauty. [1]
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
Elizabeth Catlett, born as Alice Elizabeth Catlett, also known as Elizabeth Catlett Mora (April 15, 1915 [1] – April 2, 2012) [3] [4] was an American and Mexican sculptor and graphic artist best known for her depictions of the Black-American experience in the 20th century, which often focused on the female experience.
A shared heritage: art by four African Americans by William E. Taylor and Harriet G. Warkel with essays by Margaret T. G. Burroughs and others (1996) The Beginner's Guide to Collecting Fine Art, African American Style Ana M. Allen and Margaret Taylor Burroughs (1998) The tallest tree in the forest (1998) Humanist and glad to be (2003)
This category is for articles about African-American individuals who are notable because of their sculpture. This is a non-diffusing subcategory of Category:American sculptors . It includes sculptors that can also be found in the parent category, or in diffusing subcategories of the parent.
Some African-American women were also active in the feminist art movement in the 1970s. Faith Ringgold made work that featured black female subjects and that addressed the conjunction of racism and sexism in the U.S., while the collective Where We At (WWA) held exhibitions exclusively featuring the artwork of African-American women. [55]
The portrait of Nellie Bly as a young woman is cast in silver bronze. The other faces, cast in bronze and portrayed in broken sections, include an Asian-American woman, an African-American woman, a young girl, and an older LGBTQ woman. These women are not specific people from Bly's life, but are inspired by women in the artist's life. [10]
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
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