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"This Is Tomorrow" is a song by Bryan Ferry, the former lead vocalist for Roxy Music. It was released in 1977 as the first single from In Your Mind, his fourth solo studio album but the first consisting entirely of original songs. It was Ferry's tenth single. The single features the non-album track, "As the World Turns" as the B-side.
Tomorrow shall be my dancing day; I would my true love did so chance To see the legend of my play, To call my true love to my dance; Chorus (sung after each verse) Sing, oh! my love, oh! my love, my love, my love, This have I done for my true love. Then was I born of a virgin pure, Of her I took fleshly substance Thus was I knit to man's nature ...
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.
The song features piano chords and bass in the production. [1] [2] GloRilla raps in an aggressive manner, while lyrically she dismisses her detractors and raps about her good qualities, [3] [4] keeping her circle close but being "kinda ratchet still", [5] as well as her status and standards with an optimistic tone. [6]
Tommy West – bass, percussion, piano, rhythm guitar, keyboards, electric piano, backing vocals; Harry Boyle – guitar on "Hey Tomorrow" Joe Macho – bass; Jim Ryan – bass on "Box #10" Gary Chester – drums; Ellie Greenwich, Tasha Thomas – backing vocals; Peter Dino – arrangements; Technical. Bruce Tergesen – recording and mixing ...
"Tomorrow" is a show tune from the musical Annie, with music by Charles Strouse and lyrics by Martin Charnin, published in 1977. The number was originally written as "Replay" (The Way We Live Now) for the 1970 short film Replay , with both music and lyrics by Strouse.
Paul McCartney had taped a demo of "Tomorrow" before he and Linda began recording their album Ram in New York City in late 1970. [2] The song is a piano ballad and ends with a gospel-style coda, [3] which is played at a slower tempo than the main portion. [4] The composition is in the key of D major. [5]
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