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The text is the oldest surviving literary work in the Marathi language, one that inspired major Bhakti movement saint-poets such as Eknath and Tukaram of the Varkari tradition. [ 2 ] [ 3 ] [ 4 ] The Dnyaneshwari interprets the Bhagavad Gita in the Advaita Vedanta tradition of Hinduism. [ 5 ]
Ganesha as Mayureshwara with consorts Riddhi and Siddhi, Morgaon.Samarth Ramdas composed the arati inspired by Mayureshwara. Sukhakarta Dukhaharta (literally "harbinger of happiness and dispeller of distress", [1] Marathi: सुखकर्ता दु:खहर्ता, sukhakartā duḥkhaharta), also spelled as Sukhkarta Dukhharta, is a popular Marathi arati, song or bhajan (devotional ...
Atithi Devo Bhava, also spelt Atithidevo Bhava (Sanskrit: अतिथिदेवो भव), English translation: A guest is akin to God, prescribes a dynamic of the host-guest relationship, which embodies the traditional Indian Hindu-Buddhist philosophy of revering guests with the same respect as a god.
The Dāsbodha was written in 1654 by Samarth Ramdas Swāmi (1608-1681), a satguru, a Hindu saint from Maharashtra, in the local Marathi language.It is a comprehensive volume in verse form providing instructions on the religious life, presented in the format of a conversation between a Guru and disciple.
Ganesh Chaturthi, a popular festival in the state. Maharashtra is the third largest state of India in terms of land area and second largest in terms of population in India. . It has a long history of Marathi saints of Varakari religious movement, such as Dnyaneshwar, Namdev, Chokhamela, Eknath and Tukaram which forms the one of bases of the culture of Maharashtra or Marathi culture.
This category contains articles with Marathi-language text. The primary purpose of these categories is to facilitate manual or automated checking of text in other languages. This category should only be added with the {} family of templates, never explicitly.
Abhanga is a form of devotional poetry sung in praise of the Hindu god Vitthal, also known as Vithoba. The word "abhang" comes from a for "non-" and bhanga for "ending" or "interrupting", in other words, a flawless, continuous process, in this case referring to a poem. [1] By contrast, the devotional songs known as Bhajans focus on the inward ...
Early in childhood, Saint Tukdoji Maharaj performed rigorous penance and spiritual exercises in self-realisation. He was an orator and a musician who composed more than 3000 bhajans (spiritual poems) in Hindi and Marathi, having performed for the spiritual teacher Meher Baba in 1937 [2] and 1944. [3]