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As opposed to Warhol's earlier sound films during this period, such as Vinyl, made in 1965, in which the camera, once turned on, was never stopped until the film ran out in one continuous take, Four Stars uses what critic Gene Youngblood dubbed "strobe cuts", created by turning the camera on and off during shooting, causing several overexposed or "whited-out" frames, to appear in the completed ...
The line started as an in-joke behind the camera that Scheider tried to include it at multiple points throughout filming. Eventually, it made the cut during this scene.
Winter's Tale (released in the United Kingdom and Ireland as A New York Winter's Tale [3]) is a 2014 American romantic fantasy film [2] based on the 1983 novel Winter's Tale by Mark Helprin. The film is written, produced and directed by Akiva Goldsman (in his directorial debut ).
The four novellas are tied together via subtitles that relate to each of the four seasons. The collection is notable for having three out of its four novellas turned into Hollywood films, one of which, The Shawshank Redemption , was nominated for the 1994 Academy Award for Best Picture , [ 2 ] and another, Stand by Me , was nominated for the ...
Here, 25 of the best classic winter books to read by the fire this winter: If on a Winter's Night a Traveler Italo Calvino's postmodernist novel is a masterfully crafted puzzle.
David Pringle, in the book Modern Fantasy: The 100 Best Novels, praised Winter's Tale as "a haunting piece of North American magic realism". [2] According to Benjamin Nugent in n+1, the book describes how a political conservative feels, saying: "It’s one thing to understand Reaganism by reading an op-ed about the restoration of patriotism. It ...
Then, of course, there's Jim Carrey and Jeff Daniels in "Dumb and Dumber," a movie loaded with gems like, “According to the map, we’ve only gone four inches," and countless other great lines.
The Winter's Tale is a 1967 British TV film based on The Winter's Tale by William Shakespeare. Directed by Frank Dunlop, it stars Laurence Harvey and Jane Asher. It was produced by Peter Snell and filmed in 1966. It was adapted from a popular stage production at the Edinburgh Festival which had a successful transfer to London. [2]