Search results
Results from the WOW.Com Content Network
The Future of Culture in Egypt (Arabic: مستقبل الثقافه في مصر) is a 1938 book by the Egyptian writer Taha Hussein. The book is a work of Egyptian nationalism advocating both independence and the adoption of various European modes of behaviour and institutions such as a strong military.
Egypt's cultural tourism trade has fluctuated since the 19th century, increasing in popularity alongside the rise of Egyptology as an academic and amateur pursuit. Successive Egyptian governments have placed great emphasis on the value of cultural tourism, "confident that no other countries could actually compete in this area".
The United Nations Educational, Scientific and Cultural Organisation (UNESCO) identifies intangible cultural heritage as the "non-physical traditions and practices that are performed by a people". As part of a country's cultural heritage, they include celebrations, festivals, performances, oral traditions, music, and the making of handicrafts. [1]
The culture of Egypt has thousands of years of recorded history. A cradle of civilization, Ancient Egypt was among the earliest civilizations in the world. For millennia, Egypt developed strikingly unique, complex and stable cultures that influenced other cultures of Europe , Africa and Asia .
Egyptian culture flourished during this long period and remained distinctively Egyptian in its religion, arts, language and customs. The first two ruling dynasties of a unified Egypt set the stage for the Old Kingdom period, c. 2700–2200 BCE, which constructed many pyramids , most notably the Third Dynasty pyramid of Djoser and the Fourth ...
Culture change is a term used in public policy making and in workplaces that emphasizes the influence of cultural capital on individual and community behavior. It has been sometimes called repositioning of culture, [ 1 ] which means the reconstruction of the cultural concept of a society. [ 1 ]
He notes an increase in the appreciation of the contribution of Nubia in the south to Ancient Egyptian culture at the time of his writing. According to him, chiefs of the same cultural level as Upper Egyptian powers existed in Lower Nubia and exhibited pharaonic iconography before the unification of Egypt. [30]
(p. 53) In short, Griswold argues that culture changes through the contextually dependent and socially situated actions of individuals; macro-level culture influences the individual who, in turn, can influence that same culture. The logic is a bit circular, but illustrates how culture can change over time yet remain somewhat constant.