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The next segment introduces the main theme of La Villa, the Strangiato theme. The song progresses to include an increasingly complex guitar solo backed by string synthesizer, followed closely by bass and drum fills. The Strangiato theme is then revisited before the song ends abruptly with phased bass and drums. The piece is divided as follows:
The positions of all songs are based on week-end sale totals, from Sunday to Saturday, [4] but pre-1987 the charts were released on a Tuesday because of the need for manual calculation. [5] Since inception there have been more than 1,400 number ones; of these, instrumental tracks have topped the chart on 30 occasions for a total of 96 weeks.
Louis Johnson (April 13, 1955 – May 21, 2015) was an American bass guitarist. Johnson was best known for his work with the group the Brothers Johnson and his session playing on several hit albums of the 1970s and 1980s, including the best-selling album of all time, Michael Jackson's Thriller.
Join us, then, on Pino’s 65th birthday, as we list the songs that prove he is a true bass genius. Pino Palladino, Roger Daltrey, and Zak Starkey of The Who perform at Arena at Gwinnett Center on ...
Concerto No. 2 for Double Bass and Orchestra "Afroargentino", Op. 125 (2015) Concerto No. 3 for Double Bass and Orchestra "Porteño", Op. 129 (2016) Francine Aubin Concert pour Ariane (1988) Judith Bailey. Double Bass Concerto in the Style of Haydn (2008) (2017) Ragnhild Berstad. Origo (1989-91) for Solo Double Bass and String Quartet; Anatoly ...
Gene Simmons is the first solo album by Gene Simmons, the bassist and co-lead vocalist of the hard rock band Kiss.It is one of four solo albums released by each member of Kiss, but yet still under the Kiss label, coming out alongside Peter Criss, Ace Frehley, and Paul Stanley.
His playing on Donny Hathaway's Live (1972), including a 3½ minute bass solo on "Voices Inside (Everything Is Everything)", [1] which is regarded by many bass players as some of Weeks' best work. He played a 1962 Fender P-Bass through an Ampeg SVT amplifier on the recording (though it had initially been reported that he played through an Ampeg ...
James Lee Jamerson (January 29, 1936 – August 2, 1983) [1] [a] was an American bassist.He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the greatest and most influential bass players in modern music history.