Search results
Results from the WOW.Com Content Network
Traces of Gold: California's Natural Resources and the Claim to Realism in Western American Literature. Tuscaloosa: University of Alabama Press. ISBN 0-8173-1117-3. Judith Fetterley; Marjorie Pryse (2003). Writing Out of Place: Regionalism, Women, and American Literary Culture. University of Illinois Press. ISBN 978-0-252-02767-3.
One of the developments in late-20th-century American literature was the increase of literature written by and about ethnic minorities beyond African Americans and Jewish Americans. This development came alongside the growth of the Civil Rights Movement and its corollary, the ethnic pride movement, which led to the creation of Ethnic Studies ...
Americana is any collection of materials and things concerning or characteristic of the United States or of the American people, and is representative or even stereotypical of American culture as a whole. [1] [2] What is and is not considered Americana is heavily influenced by national identity, historical context, patriotism and nostalgia.
Beat Culture and the New America 1950–1965 was published by the Whitney Museum of American Art in accordance with an exhibition in 1995/1996. ISBN 0-87427-098-7 softcover. ISBN 2-08-013613-5 hardcover (Flammarion) Raskin, Jonah. American Scream: Allen Ginsberg's "Howl" and the Making of the Beat Generation. University of California Press, 2004.
Southern literature has been described by scholars as occupying a liminal space within wider American culture. [4] After the American Revolution, writers in the U.S. from outside the South frequently othered Southern culture, in particular slavery, as a method of "[standing] apart from the imperial world order". [6]
The Portico magazine, an early tool of literary nationalist critics. American literary nationalism was a literary movement in the United States in the early-to mid 19th century, which consisted of American authors working towards the development of a distinct American literature.
According to Book Marks, the book received a "positive" consensus, based on 16 critics: 8 "rave", 3 "positive", 4 "mixed" and 1 "pan". [4] On The Omnivore, an aggregator of British press, the book received an "omniscore" of four out of five. [5] Culture Critic assessed British and American critical response as an aggregated score of 76%. [6]
[3] The powerful mother is a common pivotal figure in immigrant fiction, just as the sensitive child, torn between this matriarchal authority and a weaker, less adaptive father, often assumes the book's central consciousness. Paule Marshall's Brown Girl, Brownstones (1959), fits the pattern, with its tense mother-daughter duo, Silla and Selina ...