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A guide to all the cover songs from the 'Bridgerton' season 3 soundtrack—including "Give Me Everything" and "Happier Than Ever." Listen to the entire playlist here.
This half of the season include Bridgerton’s first-ever original song, recorded by Tori Kelly. It was written by Rogét Chahayed, Wesley Singerman, Taylor Dexter, and Nicole Cohen.
The music for the historical fiction-romance streaming television series Bridgerton, on the novel series of the same name by Julia Quinn, features an orchestral and classical score composed and produced by Kris Bowers and orchestral covers of contemporary popular music, [1] [2] performed by Vitamin String Quartet, Dunno and Bowers himself. [3]
Across every season of Bridgerton, music supervisors have commissioned reimagined hits from Taylor Swift, Nirvana, Rihanna and more modern artists to set the tone for the dramatic historical scenes.
The Unofficial Bridgerton Musical is a concept album by Abigail Barlow and Emily Bear based on season 1 of the Netflix series Bridgerton. They developed the songs on the album on TikTok in early 2021 in a series of live sessions, during which they received and incorporated viewer feedback.
"Give Me Everything" is a song by American rapper Pitbull featuring Dutch DJ Afrojack and American singers Ne-Yo and Nayer. Written by the former three and produced by Afrojack, it was released on March 18, 2011, through Polo Grounds Music, Mr. 305 Entertainment, and J Records as the second single from Pitbull's sixth studio album, Planet Pit (2011).
Since its first season in 2020, Bridgerton has regularly featured string versions of pop songs by Billie Eilish, Taylor Swift, Olivia Rodrigo, and Ariana Grande for scenes set in ballrooms, grand ...
Kris Bowers, who scored both the first and second seasons of Bridgerton, also worked on two original soundtrack projects for the series through Sony Music. [3] The first one, Queen Charlotte: A Bridgerton Story (Soundtrack from the Netflix Series), was supervised by Bowers, with co-production by Max Wrightson and co-writing of some tracks by Alec Sievern and Michael Dean Parsons.