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A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Porticos are sometimes topped with pediments.
Neo-Mansard, Faux Mansard, False Mansard, Fake Mansard: Common in the 1960s and 70s in the U.S., these roofs often lack the double slope of the Mansard roof and are often steeply sloped walls with a flat roof. Unlike the Second Empire, where upper story windows were contained within dormers, Neo-Mansard roofs have window openings cut through ...
An example of a monitor roof. These roofs may extend the length of the building. Monitor on the Whitehouse-Crawford Planing Mill in Walla Walla, Washington, U.S.. A monitor in architecture is a raised structure running along the ridge of a double-pitched roof, with its own roof running parallel with the main roof.
A lanai or lānai is a type of roofed, open-sided veranda, patio, or porch originating in Hawaii. [1] [2] Many homes, apartment buildings, hotels and restaurants in Hawaii are built with one or more lānais.
The porch's roof treatment was the same as in the interior room, but the space provided was used for different purposes. Vigas were usually installed with the smaller ends to one side of the roof to facilitate good drainage. [12] Vigas usually sat directly on the adobe or stone walls and were strapped.
A more recent design is the installation of a roof deck with foil-backed foam along with a second deck that is air-gapped away from the foil-backed foam to allow air to flow vertically to a ventilation outlet at the peak of the roof—it is a double-deck design with an air gap. This design improves efficiency. [13]
The Louvre Colonnade is the easternmost façade of the Louvre Palace in Paris. It has been celebrated as the foremost masterpiece of French architectural classicism since its construction, mostly between 1667 and 1674.
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
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