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Hip hop sounds and styles differ from region to region, but there are also instances of fusion genres. [80] Hip hop culture has grown from the avoided genre to a genre that is followed by millions of fans worldwide. This was made possible by the adaptation of music in different locations, and the influence on style of behavior and dress. [81]
Southern hip hop (Dirty south) . Atlanta hip hop. Snap; Trap; Houston hip hop. Chopped and screwed; Louisiana Bounce - from New Orleans, Louisiana; Jigga music - from Baton Rouge, Louisiana
In the book How to Rap, Big Daddy Kane and Myka 9 note that originally a freestyle was a spit on no particular subject – Big Daddy Kane said, "in the '80s, when we said we wrote a freestyle rap, that meant that it was a rhyme that you wrote that was free of style... it's basically a rhyme just bragging about yourself."
Ratchet feminism differs from Hip Hop feminism in that it specifically looks to subvert notions of respectability while also incorporating aesthetics of black working class culture. Ratchet feminism has gained popularity within Hip Hop culture especially in the 2010s with artists like Nicki Minaj, City Girls, and Megan thee Stallion.
Golden age hip hop (the mid-1980s to early '90s) [74] was the time period where hip-hop lyricism went through its most drastic transformation – writer William Jelani Cobb says "in these golden years, a critical mass of mic prodigies were literally creating themselves and their art form at the same time" [75] and Allmusic writes, "rhymers like ...
The interplay between the Korean language and English has been used as a technical and aesthetic device in Korean hip-hop. Many Korean hip-hop songs contain syllabic similarities that could be interpreted in either languages. The bilingual aspect of this music is one distinguishing factor between Korean hip-hop and American hip-hop. [9] [8]
Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s. [1]The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively.
Memphis artists released recordings on independent labels. The dominance of New York and Los Angeles's hip hop scenes forced southern artists to form an underground style and sound to compete with the other regions. Artists used a grassroots approach through word-of-mouth in the club scene and mixtapes to promote their music. [8]