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The Silverface amplifiers were succeeded by a new breed of Fender designs. Fender was now competing with manufacturers who were more in tune with the market; specifically, many guitar players were interested less in "cleanish" country amp and instead wanted more versatile tone controls and, perhaps more importantly, greater amounts of distortion.
Fender Blues Junior front view. The Blues Junior is a tube guitar amplifier introduced in 1995 by the Fender Musical Instrument Corporation.It is aimed at achieving the warm, tube-driven tone common in many styles of American blues and blues rock dating back to the 1950s, while remaining both portable and affordable.
Fender Jaguar Bass; Fender Jazz Bass [16] Fender Mustang Bass [17] Fender Precision Bass [18] Fender Telecaster Bass [19] (once replaced as Squier Vintage Modified Precision Bass TB then Classic Vibe '50s Precision Bass) Fender Meteora Bass
The Hot Rod DeVille is a modified version of the earlier Fender Blues DeVille from the Blues amplifier line and has a higher level of gain in its preamplification signal. The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212 , with 2, 12-inch speakers and a 410 , with 4, 10-inch speakers.
1953 Fender Champ in tweed covering. The Fender Champ was a guitar amplifier made by Fender. It was introduced in 1948 and discontinued in 1982. [1] An updated version was introduced in 2006 as part of the "Vintage Modified" line. The Champ had the lowest power output and the simplest circuit of all Fender tube amps.
The Hot Rod Deluxe is an all tube combo amp rated at 40 watts. It utilizes a single 12-inch Celestion A-Type Speaker. The Hot Rod Deluxe is a mono-channel amplifier featuring 3 switchable gain levels: "Clean", "Drive", and "More Drive" selectable on either the control panel or footswitch (if plugged in).
The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
1955 Twin-Amp, model 5E8. Dual rectifiers and 6L6 power tubes, twin 12" speakers. After the preceding looks of the early 1950s (TV front from 1950 to 51/2; wide panel '52–54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.
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