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Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high). An open-G tuning allows a G-major chord to be strummed on all ...
Standard aka "Argentine tuning" or "G 6 tuning", one fourth lower than the charango. Very similar in appearance to the charango, but slightly larger. Charango, Ranka: 11 strings 5 courses. G 4 G 4 •C 5 C 5 •E 5 E 4 •A 4 A 4 •E 5 E 5 E 6 •D 4 D 4 •A 4 A 4 •G 5 G 4 •C 5 C 5 •G 5 G 5 G 6: Patasi Charango, Ranqha Charango ...
The open G tuning variant G–G–D–G–B–D was used by Joni Mitchell for "Electricity", "For the Roses" and "Hunter (The Good Samaritan)". [36] Truncating this tuning to G–D–G–B–D for his five-string guitar, Keith Richards uses this overtones-tuning on the Rolling Stones 's " Honky Tonk Women ", " Brown Sugar " and " Start Me Up ".
In open-G tuning (G,G,D,G,B,D), the 3 (B) of the open-G major-triad is on string 2. If we barre or use a slide to play the IV chord (C) at fret 5, the 3 of that chord (E) is still on string 2 ... as it will be when we slide up to the V chord, or the bVII chord, or the octave.
Open G tuning – G-d-g-b-d' Some slide/bottleneck guitarists omit the bottom E string when playing in open G to have the root note as the tonic. This tuning is used by Keith Richards. Open E ♭ 5 tuning – E ♭-B ♭-e ♭-b ♭-e ♭ '
The shifting of chords is especially simple for the regular tunings that repeat their open strings, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, [3] and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists ...
"Handog ng Pilipino sa Mundo" (lit. ' "The Gift of the Filipinos to the World" ' ), released in English as " A New and Better Way—The People's Anthem ," is a 1986 song recorded in Filipino by a supergroup composed of 15 Filipino artists.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).