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The rule of the octave is a way of harmonizing each note of the diatonic scale, reflecting common practice, and has its origin in the practice of thorough bass, or basso continuo, where it provided an easy way to find which chord could accompany each note of the scale in the bass, particularly in the absence of figuring.
"A Bushel and a Peck" is a popular song written by Frank Loesser and published in 1950. The song was introduced in the Broadway musical Guys and Dolls, [1] which opened at the 46th Street Theater on November 24, 1950. It was performed on stage by Vivian Blaine and a women's chorus as a nightclub act at the Hot Box. It is the first of two ...
Notes separated by an octave "ring" together, adding a pleasing sound to music. The interval is so natural to humans that when men and women are asked to sing in unison, they typically sing in octave. [6] For this reason, notes an octave apart are given the same note name in the Western system of music notation—the name of a note an octave ...
For example, C 4 is one note above B 3, and A 5 is one note above G 5. The octave number is tied to the alphabetic character used to describe the pitch, with the division between note letters ‘B’ and ‘C’, thus: "B 3" and all of its possible variants (B, B ♭, B, B ♯, B) would properly be designated as being in octave "3".
Octatonic (8 notes per octave): used in jazz and modern classical music; Heptatonic (7 notes per octave): the most common modern Western scale; Hexatonic (6 notes per octave): common in Western folk music; Pentatonic (5 notes per octave): the anhemitonic form (lacking semitones) is common in folk music, especially in Asian music; also known as ...
A diatonic scale is any seven-note scale constructed sequentially using only whole tones and half tones, repeating at the octave, having a tonal center, and comprising only one tritone interval between any two scale members, which ensures that the half tone intervals are as far apart as possible.
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