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Mein Herr Marquis", sometimes called "Adele's Laughing Song", is an aria for soprano with choral accompaniment from act 2 of the operetta Die Fledermaus by Johann Strauss II. It appears in many anthologies of music for soprano singers, and is frequently performed in recitals.
The original literary source for Die Fledermaus was Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix [1] that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, Le Réveillon, loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. [2]
Richard Strauss in 1910. Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer [1]), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2]
With the exception of the song "Malven" composed later the same year, [4] the songs are Strauss's final completed works. The overall title Four Last Songs was provided by Strauss's friend Ernst Roth , the chief editor of Boosey & Hawkes , when he published all four songs as a single unit in 1950, and in the order that most performances now ...
Instead he wants to dance to waltzes by father and son Strauss. The lyrics reference three of Strauss's best known compositions, namely An der schönen blauen Donau ("Let the Danube flow along"), Die Fledermaus ("and the Fledermaus") and Wein, Weib und Gesang ("Keep the wine and give me song"). [1]
STRAUSS is a German-based apparel company. MLB announced a multi-year partnership with the brand in September that will run through 2027, according to CBS reporting. They're impossible to miss ...
The song was dedicated to the principal tenor of the Munich Court Opera, Heinrich Vogl. [3] Strauss promised to later write some songs for Aunt Johanna. "Zueignung" was the first of eight songs by Strauss published as Op. 10, [4] which were all settings of Gilm's poems. In 1885, they were the first songs Strauss ever published. [4]
Swift starts the song with the chorus that immediately makes her distaste for the subject of the song clear. “‘Cause, baby, now we got bad blood/ You know it used to be mad love/ So take a ...