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Mein Herr Marquis", sometimes called "Adele's Laughing Song", is an aria for soprano with choral accompaniment from act 2 of the operetta Die Fledermaus by Johann Strauss II. It appears in many anthologies of music for soprano singers, and is frequently performed in recitals.
The original literary source for Die Fledermaus was Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix [1] that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, Le Réveillon, loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. [2]
Richard Strauss in 1910. Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer [1]), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2]
"The Laughing Song" was number one for ten weeks from April to June 1891, while "The Whistling Coon" was number one for five weeks in July and August 1891. Johnson was the first African American to appear on the pop chart, and his song on the chart was the first to have been written by an African American. [7]
Instead he wants to dance to waltzes by father and son Strauss. The lyrics reference three of Strauss's best known compositions, namely An der schönen blauen Donau ("Let the Danube flow along"), Die Fledermaus ("and the Fledermaus") and Wein, Weib und Gesang ("Keep the wine and give me song"). [1]
"Sehnsucht" ("Longing" or "Yearning") is an art song for voice and piano composed by Richard Strauss in 1896, setting a poem of the same title by the German poet Detlev von Liliencron (1844–1909). It is the second song in his collection Five songs for voice and piano , Op. 32, TrV 174.
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"The Laughing Song", a song by George Washington Johnson, the first song by an African American to top the chart in 1891 " The Laughing Song ", Adele's aria " Mein Herr Marquis " from Johann Strauss the Younger's 1874 operetta Die Fledermaus