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Pretty Things were an English rock band formed in September 1963 in Sidcup, Kent, taking their name from Bo Diddley's 1955 song "Pretty Thing", ...
"Rosalyn" was written by songwriter Jimmy Duncan, who was also co-manager of the Pretty Things with Bryan Morrison at the time, along with Bill Farley, studio owner where the band was recording. [1] The song was recorded as their debut single on Fontana Records , and became the Pretties first hit, reaching No. 41 on the UK singles chart in July ...
"The Pretty Things Are Going to Hell" is the rockiest piece on Hours, meshing a glam-punk baseline with guitar elements of "Little Wonder" (1997) and percussion of "Diamond Dogs" (1974). [4] Author Dave Thompson of AllMusic describes the song as a "guitar-scything glam anthem" that dates back to the glam-era tracks " All the Young Dudes " (1972 ...
Savage Eye is the eighth album by the English rock band Pretty Things, released in 1975.It was their second and last album on Led Zeppelin's Swan Song Records.The band broke up later the same year after the departure of lead singer Phil May.
Silk Torpedo is the seventh album by the English rock band Pretty Things.This is their second album without Wally Waller, the group's rhythm guitarist/bassist since 1967. The album has more of a glam rock feel, a contrast from their early R&B years and their psychedelic year
S. F. Sorrow is a psychedelic rock opera that explores the life of a single character [6] "from rural birth to Prodigal's Oliver Twist freakout". [7] PopMatters says that the album "mixes the story of the protagonist Sebastian and his journey towards learning to trust people and ultimate disillusionment with a psychedelic pop score that fittingly captured the mood of 1960s Swinging London". [8]
Kat Dennings Says Casting Directors Told Her She Wasn’t ‘Pretty Enough’ and ‘Fat’ at Age 12: ‘There Was Not a Lot of Inclusivity at All’ Jack Dunn January 18, 2025 at 4:49 PM
Freeway Madness is the sixth album by the English rock band Pretty Things.It was released in late 1972 on Warner Bros. Records and reissued by Warner Bros. imprint The Medicine Label in 1995 with additional liner notes from Phil May.