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A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following:
Rhyme is always used, sometimes with double rhyme or internal rhymes in addition. In some poems, known as masnavi, the two halves of each couplet rhyme, with a scheme AA BB CC. In lyric poetry, the same rhyme is used throughout the poem at the end of each couplet, but except in the opening couplet, the two halves of each couplet do not rhyme ...
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio. The ottava rima stanza in English consists of eight iambic lines, usually iambic pentameters.
Lord Byron (1788–1824) used multisyllabic rhymes in his satiric poem Don Juan. For example, he rhymes "intellectual" with "hen-peck'd you all". Ogden Nash (1902–1971) used multisyllabic rhymes in a comic, satirical way, as is common in traditional comic poetry. [4] For example, in his poem ‘The Axolotl’ he rhymes "axolotl" with ...
The last lines of these two stanzas must rhyme. Further, the first line of the first stanza is repetitive nonsense, and the second line of the first stanza is the subject of the poem, which in the purest instances of the form is a double-dactylic proper noun. (Hecht and other poets sometimes bent or ignored this rule, as in the Robison poem below.)