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Ancient Greek clothing consisted of lengths of linen or wool fabric, which generally was rectangular. Clothes were secured with ornamental clasps or pins (περόνη, perónē; cf. fibula), and a belt, sash, or girdle might secure the waist. Men's robes went down to their knees, whereas women's went down to their ankles.
It was held on with a fibula brooch at the wearer's right shoulder and nearly reached the ground at front and back. With the even grander loros costume, the "chlamys costume" was the ceremonial wear of Byzantine emperors and the only option for high officials on very formal occasions. [ 4 ]
The Ionic chiton could also be made from linen or wool and was draped without the fold and held in place from neck to wrist by several small pins or buttons.. Herodotus states the dress of the women in Athens was changed from the Doric peplos to the Ionic chiton after the widows of the men killed on military expedition to Aegina stabbed and killed the sole survivor with their peplos pins, each ...
Over the period clerical dress went from being merely normal lay dress to a specialized set of garments for different purposes. The bishop in the Ravenna mosaic wears a chasuble very close to what is regarded as the "modern" Western form of the 20th century, the garment having become much larger, and then contracted, in the meantime.
This category describes modern Greek clothing fashion. Traditional and historic Greek clothing should be categorised under Greek clothing
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
A tsarouchi (Greek: τσαρούχι; plural: τσαρούχια; from Turkish çarık) is a type of shoe, which is typically known nowadays as part of the traditional uniform worn by the Evzones of the Greek Presidential Guard. [1]
From 2,450 BC, it was a royal dress, as seen from the figures in prayer mode in Mesopotamia. In this, the dress was formed with woolly tufts laid successively in horizontal lines and suspended vertically. It was fashioned generally as a woman's dress, adorning the left arm and shoulder with the right side exposing the skin and the breast. [16]
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