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Japanese Science Fiction, Fantasy and Horror Films. McFarland. ISBN 0-89950-853-7. Galbraith IV, Stuart (1996). The Japanese Filmography: 1900 through 1994. McFarland. ISBN 0-7864-0032-3. Galbraith IV, Stuart (2008). The Toho Studios Story: A History and Complete Filmography. Scarecrow Press. ISBN 978-1461673743. Mes, Tom (2005).
Tsutomu Miyazaki (宮﨑 勤, Miyazaki Tsutomu, 21 August 1962 – 17 June 2008) was a Japanese serial killer who murdered four young girls in Tokyo and Saitama Prefecture between August 1988 and June 1989. [1] He abducted and killed the girls, aged from 4 to 7, in his car before dismembering them and molesting their corpses.
The SOS incident occurred in Mount Asahi in Daisetsuzan National Park in Japan in 1989. Two lost mountaineers were located and rescued after search teams spotted a large SOS message built from fallen birch logs, but the mountaineers had not created this message, which was determined to have been in place since at least 1987.
Lists of films produced in Japan include: List of Japanese films before 1910; List of Japanese films of the 1910s; List of Japanese films of the 1920s; List of Japanese films of the 1930s; List of Japanese films of the 1940s; Lists of Japanese films of the 1950s; Lists of Japanese films of the 1960s; Lists of Japanese films of the 1970s
Pages in category "1989 in Japanese cinema" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. B.
The following are lists of films produced in Japan in the 1980s: List of Japanese films of 1980; List of Japanese films of 1981; List of Japanese films of 1982; List of Japanese films of 1983; List of Japanese films of 1984; List of Japanese films of 1985; List of Japanese films of 1986; List of Japanese films of 1987; List of Japanese films of ...
Pages in category "1989 in Japan" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. ...
Abnormal Family: Older Brother's Bride has been discussed by movie critics as an homage to or parody of the family dramas of early Japanese director Yasujirō Ozu. [3] [4] Jasper Sharp says it wittily puts together the plots of a number of Ozu's best known works within the framework of a pink film. Suo also uses the trademark camera angles ...