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Shakespeare, as was customary for other playwrights in his day, used history, other plays, and non-dramatic literature as sources for his plays. Additionally, tragedy was a new and exciting theatrical phenomenon in the late 16th century, rather than an established and self-evident dramatic form; because of this, Shakespeare and his ...
This was most likely Shakespeare's play. There is no immediately obvious alternative candidate. (While the story of Julius Caesar was dramatised repeatedly in the Elizabethan/Jacobean period, none of the other plays known are as good a match with Platter's description as Shakespeare's play.) [4] Summary
Shakespeare's writing features extensive wordplay of double entendres and clever rhetorical flourishes. [27] Humour is a key element in all of Shakespeare's plays. His works have been considered controversial through the centuries for his use of bawdy punning, [28] to the extent that "virtually every play is shot through with sexual puns."
Shakespeare's plays are a canon of approximately 39 dramatic works written by the English poet, playwright, and actor William Shakespeare. The exact number of plays as well as their classifications as tragedy, history, comedy, or otherwise is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the ...
Dramatic verse occurs in a dramatic work, such as a play, composed in poetic form.The tradition of dramatic verse extends at least as far back as ancient Greece.. The English Renaissance saw the height of dramatic verse in the English-speaking world, with playwrights including Ben Jonson, Christopher Marlowe and William Shakespeare developing new techniques, both for dramatic structure and ...
This list contains the biographies of historical figures who appear in the plays of William Shakespeare. (Note that it does not contain articles for characters; see instead Category:Shakespearean characters.) It should be possible to cross-reference historical characters to their dramatic counterpart at List of Shakespearean characters (A–K) and
In common with his Romantic contemporaries, Hazlitt focuses on how, to communicate the meaning of the play, Shakespeare's imagination, [276] by the medium of poetry, stimulates the reader's or audience's imagination. [277] Several times, Hazlitt observes how Shakespeare by this imaginative construction seemed to become each character in turn.
[103] [104] More specifically, the limited setting (it is one of only two Shakespeare plays to observe the Classical unities) and the brevity of the play (Shakespeare's shortest at 1777 lines), along with the great abundance of legal terminology, suggests the play may have been written specifically for the Gray's Inn performance. This would ...