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The most common large format is 4 in × 5 in (10 cm × 13 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25 in × 4.25 in (8.3 cm × 10.8 cm)), 5 in × 7 in (13 cm × 18 cm), and 8 in × 10 in (20 cm × 25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and ...
L.F. Deardorff & Sons Inc. was a manufacturer of wooden-construction, large-format 4"x5" and larger bellows view camera from 1923 through 1988. [ 1 ] [ 2 ] They were used by professional photographic studios .
The Fine-Art XXL line is designed for ultra-large format shooting, covering 20×24 inches. Both lenses are large and heavy, but are designed with exceptional image quality and a huge 900 mm circle of coverage in mind. The 550 mm lens is a 6/2 construction, giving 78° of coverage, while the 1100 mm lens is 4/4 with 45.7° of coverage.
Polaroid Type 55 (like all Type 50 series film) requires a Polaroid Model 545 Film Packet Back. This is mounted onto the back of a camera, usually a large format 4x5 inch type, in place of a conventional film carrier. A self-contained waterproof transparent sleeve containing positive and negative film sheets and a small reservoir of reagent gel ...
The Speed Graphic was available in 2¼ × 3¼ inch, 3¼ × 4¼ inch, 5 × 7 inch and the most common format 4 × 5 inch. Because of the focal plane shutter, the Speed Graphic can also use lenses that do not have shutters (known as barrel lenses). [4] Using a Speed Graphic, especially with the rear shutter system, was a slow process.
Intrepid Camera is a British manufacturer of large format cameras and darkroom equipment. Their cameras are noted for being inexpensive and lightweight compared to large format cameras from other manufacturers. [1] [2] Intrepid 4x5 MK5 Camera with black bellows
Large format lenses are photographic optics that provide an image circle large enough to cover the large format film or plates used in large format cameras.. Photographic optics generally project a circular image behind that is only required to have acceptable correction of aberrations over the intended film/sensor diagonal with little room to spare.
The difference in weight is significant: the Sinar F 4x5 weighs about 3.3 kg and the Sinar P 4x5 weighs about 5.9 kg. The original Sinar F is easily identified by a brushed aluminum monorail and other aluminum accents, while the Sinar F1, F2, and F3 models were made of the same materials, but painted black.
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