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Saint Anthony with the Christ Child refers to two paintings by Bartolomé Esteban Murillo, dating to 1665–1666 and 1668–1669 and both now in the Museum of Fine Arts of Seville [1] [2] Gallery [ edit ]
Saint Justa and Saint Rufina is one of the paintings made to decorate the church of the Capuchin Convent in Seville. The Seville Cathedral had suffered much damage during earthquakes over the centuries, and there was a popular belief at the time that intercession to the sister saints Justa and Rufina saved the Giralda , the cathedral's bell ...
The School of Seville loosely defines the artists that were active in Seville, Spain, or were trained there by painters in the 16th and 17th centuries. During this time, Seville was enriched by the trade with the West Indies. The most prominent painter to emerge from Seville, was Bartolome Esteban Murillo, who
A converso (Spanish: [komˈbeɾso]; Portuguese: [kõˈvɛɾsu]; feminine form conversa), "convert" (from Latin conversus ' converted, turned around '), was a Jew who converted to Catholicism in Spain or Portugal, particularly during the 14th and 15th centuries, or one of their descendants.
Christ and the Virgin as protectors of the youth, by Esteban Márquez de Velasco, University of Seville auditorium, from the refectory of the College of San Telmo, dedicated to the training of future navigators, 1693. Esteban Márquez de Velasco (1652–1696) was a Spanish Baroque painter.
Susona the beautiful commemorated in a tile of a roundabout Maria Luisa Park in Seville, Spain Skull of Susona in the door where her old home was. Susana Ben Susón, nicknamed La Susona, was a young Jewish convert from Seville and features in a legend.
Following the completion of a pair of pictures for the Seville Cathedral, he began to specialize in the themes that brought him his greatest successes: the Virgin and Child and the Immaculate Conception. [9] The Adoration of the Shepherds, c. 1650, Museo del Prado. After another period in Madrid, from 1658 to 1660, he returned to Seville.
Only animals seem to recognize the Creator: Saul's horse as if bowing before Christ. In the lower right corner, the artist placed a faintly visible dog. In the distance you can see the outline of the city to which the newcomers were heading. Damascus will receive Saul changed. [2]