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Paul Outerbridge was an American photographer prominent for his early use and experiments in color photography. He began writing a monthly column on color photography for the U.S. Camera Magazine around 1930. Outerbridge became known for the high quality of his color illustrations, made by an extremely complex tri-color carbro process. [18]
The early science fiction novel Giphantie [23] (1760) by the Frenchman Tiphaigne de la Roche described something quite similar to (color) photography, a process that fixes fleeting images formed by rays of light: "They coat a piece of canvas with this material, and place it in front of the object to capture. The first effect of this cloth is ...
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
The majority of photography remained monochrome until the mid-20th century, although experiments were producing colour photography as early as 1855 and some photographic processes produced images with an inherent overall colour like the blue of cyanotypes.
The Autochrome Lumière was an early color photography process patented in 1903 [1] by the Lumière brothers in France and first marketed in 1907. [2] Autochrome was an additive color [3] "mosaic screen plate" process. It was one of the principal color photography processes in use before the advent of subtractive color film in the mid-1930s.
1861 – James Clerk Maxwell presents a projected additive color image of a multicolored ribbon, the first demonstration of color photography by the three-color method he suggested in 1855. It uses three separate black-and-white photographs taken and projected through red, green and blue color filters. The projected image is temporary but the ...
Louis Ducos du Hauron conducted early experiments with the three-color principle in the late 1860s. During the period from the 1870s to the 1890s, he created several color prints and photographs. [16] In 1877, Edward Bierstadt showcased the first successful three-color prints in the United States.
Bierstadt's only surviving color portrait is that of his younger brother, Albert Bierstadt. [6] Bierstadt's work in color photography also extended to microscopic photography. In collaboration with Dr. Edward Leaming at Columbia College, he produced color photographs of microscopic specimens in 1895 and 1896. In 1904, when Bierstadt turned 80 ...