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In bowed string music, an indication to discontinue extended techniques such as sul ponticello, sul tasto or col legno, and return to normal playing. The same as "naturale". organ trio In jazz or rock, a group of three musicians which includes a Hammond organ player and two other instruments, often an electric guitar player and a drummer.
Haydn's keyboard sonatas evolved with the development of the keyboard through the late eighteenth century. The harpsichord was eventually replaced with the fortepiano, capable of gradual dynamic changes. The first thirty of Haydn's keyboard sonatas are scored for harpsichord, while the next nine are scored for either harpsichord or fortepiano. [3]
Fortepiano by Paul McNulty after Walter & Sohn, c. 1805 A fortepiano [ˌfɔrteˈpjaːno] is an early piano.In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century.
The fortepiano dynamic as it appears in modern music. The expression fortepiano (sometimes called forte piano) is a sudden dynamic change used in a musical score, usually with the abbreviation fp, to designate a section of music in which the music should be played loudly (forte), then immediately softly (piano). [1]
Ex. 1 A figured bass line, and a realization for theorbo (Thomas Mace, 1676) [3] (play) Audio simulation Ex. 2 Four realizations of a short figured bass (1753) [4] (play) Ex. 3 A figured bass, and a guitar realization (Nicola Matteis, 1682) [5] (play) Ex. 4 Bach MS: the keyboard part is thought to be an extremely rare transcription of a live ...
bass (solo part) bass (choir part) soprano (solo part) soprano (choir part) tenor (solo part) tenor (choir part) voice (includes parts for unspecified voices or instruments as in some canons) vocal music for unspecified voice type: Winds and battery (bold = soloist) Bas Bel Cnt Fl Hn Ob Oba Odc Tai Tbn Tdt Tmp Tr bassoon (can be part of Bc, see ...
The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger 34: 33: D major: 1773
This lists the sonatas for solo keyboard (originally intended for harpsichord, clavichord, or fortepiano) by Domenico Scarlatti. The list can be sorted by any of the four sets of catalogue numbers: K: Ralph Kirkpatrick (1953; sometimes Kk. or Kp.) L: Alessandro Longo (1906) P: Giorgio Pestelli (1967) CZ: Carl Czerny
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