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The story is an example of a class of stories, popular at the time, known as the "miracles of the Virgin" such as those by Gautier de Coincy.It also blends elements of common story of a pious child killed by the enemies of the faith; the first example of which in English was written about William of Norwich.
The Novice's Tale, The Prioress's Tale. There is no relation between Frazer's title characters and Chaucer's, even when they have the same role in life (e.g. Chaucer's Prioress is a dainty, sentimental woman while Frazer's is an ambitious, domineering one). However, there is the same implication that we are offered a variety of points of view.
Chaucer first used the rhyme royal stanza in his long poems Troilus and Criseyde and the Parlement of Foules, written in the later fourteenth century.He also used it for four of the Canterbury Tales: the Man of Law's Tale, the Prioress' Tale, the Clerk's Tale, and the Second Nun's Tale, and in a number of shorter lyrics.
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In The Canterbury Tales, the Prioress tells a story of a devout Christian child who was murdered by Jews affronted at his singing a hymn as he passed through the Jewry, or Jewish quarter, of a city in Asia. Much later criticism focuses on the tale's antisemitism. Allen Koretsky asserts that, because the antisemitism in this tale runs counter to ...
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
Furthermore, the article as it is currently written is actually very poorly written, and doesn't enhance a reader's knowledge of the Prioress, her tale, or her relationship to other characters within The Canterbury Tales. I therefore suggest that the information be rewritten, and merged with the article on the tale itself, until such time as ...
A century and a half later, Geoffrey Chaucer, after letting the legend of the singing boy slip from the prioress's lips, would inevitably be reminded of England's most famous proof of Jewish evil and conclude with an invocation to young Hugh – whose alleged fate neither he nor his audience were likely to question.