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Jain sculptures or Jain idols are the images depicting Tirthankaras (teaching gods). These images are worshiped by the followers of Jainism . The sculpture can depict any of the twenty-four tirthankaras with images depicting Parshvanatha , Rishabhanatha , or Mahāvīra being more popular.
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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
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Moses Indignant at the Golden Calf, painting by William Blake, 1799–1800. Idolatry is the worship of an idol as though it were a deity. [1] [2] [3] In Abrahamic religions (namely Judaism, Samaritanism, Christianity, Islam, and the Baháʼí Faith) idolatry connotes the worship of something or someone other than the Abrahamic God as if it were God.
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The image normally took the form of a statue of the deity, typically roughly life-size, but in some cases many times life-size, in marble or bronze, or in the specially prestigious form of a Chryselephantine statue using ivory plaques for the visible parts of the body and gold for the clothes, around a wooden framework. Most cult statues are ...
Idols are primarily singers with training in other performance skills such as acting, dancing, and modeling. Idols are commercialized through merchandise and endorsements by talent agencies, while maintaining a parasocial relationship with a financially loyal consumer fan base.