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Kismet was also the first Indian movie to use the lost and reunited formula used in several Hindi movies in the 1960s and 1970s, notably Waqt (1965), Yaadon ki Baraat (1973), and Amar Akbar Anthony (1977). The unprecedented success of Kismet established Ashok Kumar as the first superstar of Hindi cinema. He remained the most popular actor in ...
This language, Bakhtin argues, cannot be adequately verbalized or translated into abstract concepts, but it is amenable to transposition into an artistic language that resonates with its essential qualities: it can, in other words, be "transposed into the language of literature". Bakhtin calls this transposition the carnivalization of ...
Modern Standard Hindi (आधुनिक मानक हिन्दी, Ādhunik Mānak Hindī), [9] commonly referred to as Hindi, is the standardised variety of the Hindustani language written in the Devanagari script. It is an official language of the Government of India, alongside English, and it is also the lingua franca of North India.
Resonators can be highly selective, meaning that they will respond to only one frequency (or multiples of it), or they can be universal, meaning that they can respond to a broad range of frequencies. In general, the harder the surface of the resonator, the more selective it will be, and the softer the surface, the more universal it will become.
Hinglish is the macaronic hybrid use of English and Hindi. [1] [2] [3] [4] [5] Its name is a portmanteau of the words Hindi and English. [6]In the context of spoken ...
This is the pronunciation key for IPA transcriptions of Hindi and Urdu on Wikipedia. It provides a set of symbols to represent the pronunciation of Hindi and Urdu in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
Besides, in India, the guiding principle of the Sahitya Akademi, as articulated by Dr. S Radhakrishnan, resonates profoundly: “All Indian literature is one, written in different languages.” [6] This perspective extends seamlessly to encompass the mosaic of Indian culture. Regionally distinct cultures, adorned in a spectrum of dialects and ...