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"No Quarter" is a song by English rock band Led Zeppelin that appears on their 1973 album Houses of the Holy. It was written by John Paul Jones , Jimmy Page , and Robert Plant . The song became a centerpiece at all Led Zeppelin concerts thereafter, until their final tour.
No Quarter is a live album by Jimmy Page and Robert Plant, both formerly of English rock band Led Zeppelin.It was released by Atlantic Records on 31 October 1994. [2] The long-awaited reunion between Jimmy Page and Robert Plant occurred on a 90-minute "UnLedded" MTV project, recorded in Morocco, Wales and London.
They later released an album called No Quarter: Jimmy Page and Robert Plant Unledded, which featured some reworked Led Zeppelin songs, and embarked on a world tour the following year. This is said to be the beginning of a rift between the band members, as Jones was not even told of the reunion.
"Black Dog" is a song by the English rock band Led Zeppelin. It is the first track on the band's untitled fourth album (1971), which has become one of the best-selling albums of all time. [ 6 ] The song was released as a single and reached the charts in many countries.
No quarter, during military conflict or piracy, implies that combatants would not be taken prisoner, but executed. Since the Hague Convention of 1899 , it is considered a war crime ; it is also prohibited in customary international law and by the Rome Statute .
"D'yer Mak'er" (/ dʒ ə ˈ m eɪ k ə / "Jamaica") is a song by the English rock band Led Zeppelin, from their 1973 album Houses of the Holy. The title is a play on the words "did you make her?" being pronounced as "Jamaica" when spoken in an English accent. [2]
"Kashmir" is a song by the English rock band Led Zeppelin. Featured on their sixth studio album Physical Graffiti (1975), it was written by Jimmy Page and Robert Plant with contributions from John Bonham over a period of three years with lyrics dating to 1973.
"The Crunge" is a song by the English rock band Led Zeppelin from their 1973 album Houses of the Holy. The song is a takeoff on James Brown's style of funk similar to the group's attempt at reggae with "D'yer Mak'er". [1] It was also released as the B-side of "D'yer Mak'er" in the US.