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Direct-to-video or straight-to-video refers to the release of a film, television series, short or special to the public immediately on home video formats rather than an initial theatrical release [1] or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets ...
D. Direct-to-video animated films (3 C, 104 P) Direct-to-video film series (11 C, 25 P) Direct-to-video interquel films (40 P) Direct-to-video prequel films (43 P) Direct-to-video sequel films (418 P) Categories: Films by release method. Direct-to-video media.
This page was last edited on 10 September 2020, at 04:23 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Digital rights management (DRM) is the management of legal access to digital content. Various tools or technological protection measures (TPM), [1] such as access control technologies, can restrict the use of proprietary hardware and copyrighted works. [2] DRM technologies govern the use, modification and distribution of copyrighted works (e.g ...
1989 direct-to-video films (2 C, 14 P) This page was last edited on 2 April 2019, at 23:45 (UTC). Text is available under the Creative Commons ...
Best of the Best 3: No Turning Back. Best of the Best 4: Without Warning. Beverly Hills Chihuahua 2. Beverly Hills Chihuahua 3: Viva la Fiesta! Bionicle 2: Legends of Metru Nui. Bionicle 3: Web of Shadows. Black Dawn (2005 film) Bloodfist IV: Die Trying. Bloodfist V: Human Target.
D. Direct-to-video documentary films (1 C, 34 P) Direct-to-video drama films (1 C, 28 P)
Direct cinema is a documentary genre that originated between 1958 and 1962 in North America —principally in the Canadian province of Quebec and in the United States —and was developed in France by Jean Rouch. [1] It is a cinematic practice employing lightweight portable filming equipment, hand-held cameras and live, synchronous sound that ...