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Italian art. Leonardo da Vinci 's Mona Lisa is an Italian art masterpiece worldwide famous. Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from ...
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy ...
The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento]) was a period in Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity.
The Uffizi Gallery (UK: / juːˈfɪtsi, ʊˈfiːtsi / yoo-FIT-see, uu-FEET-see; [ 2 ][ 3 ] Italian: Galleria degli Uffizi, pronounced [ɡalleˈriːa deʎʎ ufˈfittsi]) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian ...
Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art is a term that is used here to refer to Italian painting and sculpture in the Baroque manner executed over a period that extended from the late sixteenth to the mid eighteenth centuries. [1]
Following is a list of Italian painters (in alphabetical order) who are notable for their art. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Hay Stacks by Giovanni Fattori, a leading artist in the Macchiaioli movement. The Macchiaioli were a group of Italian painters from Tuscany, active in the second half of the 19th century, who, breaking with the antiquated conventions taught by the Italian academies of art, painted outdoors in order to capture natural light, shade, and colour.
Italian art critic Germano Celant organized two exhibitions in 1967 and 1968, followed by an influential book called Arte Povera, promoting the notion of a revolutionary art, free of convention, the power of structure, and the market place. Although Celant attempted to encompass the radical elements of the entire international scene, the term ...