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e. Ruqʿah (Arabic: رُقعة) or Riqʿah (رِقعة) is a writing style of Arabic script intended for the rapid production of texts. It a relatively simple and plain style, used for everyday writing and often used for signs. [1] The Ottoman calligraphers Mumtaz Efendi [2] (1810–1872) and Mustafa Izzet Efendi (1801–1876) are credited with ...
Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt (Arabic: خَطّ), derived from the words 'line', 'design', or 'construction'. [1][2] Kufic is the oldest form of the Arabic script. From an artistic point of view, Arabic calligraphy has been known and ...
A modern sans-serif and four blackletter typefaces (left to right): Textur (a), Rotunda, Schwabacher and Fraktur. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that ...
The name Nastaliq "is a contraction of the Persian naskh-i ta'liq (Persian: نَسْخِ تَعلیق), meaning a hanging or suspended naskh. " [6] Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of nastaliq to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century.
A page from the Nuremberg Chronicle (Schedelsche Weltchronik), 1493. The German word Schwabacher (pronounced [ˈʃvaːˌbaxɐ]) refers to a specific style of blackletter typefaces which evolved from Gothic Textualis (Textura) under the influence of Humanist type design in Italy during the 15th century. Schwabacher typesetting was the most ...
Rashi script. The Rashi script or Sephardic script (Hebrew: כְּתַב רַשִׁ״י, romanized: Ktav Rashi) is a typeface for the Hebrew alphabet based on 15th-century Sephardic semi-cursive handwriting. It is named for the rabbinic commentator Rashi, whose works are customarily printed in the typeface (though Rashi himself died several ...
Antiqua (/ ænˈtiːkwə /) [1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [2] Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur -style typefaces where the individual strokes are broken apart.
In a Western context, Uncial is a majuscule [1] script (written entirely in capital letters) commonly used from the 4th to 8th centuries AD by Latin and Greek scribes. [2] Uncial letters were used to write Greek and Latin, as well as Gothic, and are the current style for Coptic and Nobiin. In a Slavic context, Uncial/Ustav and Semi-Uncial ...
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